Welcome to #StarkOnSaturday! Since TAKE ME is in print in the back of the US and UK editions of HEATED (out now!) — and since there are more Nikki and Damien novellas coming! — I thought doing a blog post with the entirety of Chapter One would be fun!
Grab Heated here:
Also, I have the release dates for the two scheduled Nikki and Damien novellas!
HAVE ME will be out on November 4!
PLAY MY GAME (which leads into an all new trilogy — with a new hero and heroine — set in the world of Stark International) will be out February 17, 2015!
It is all around me. Soft and billowing. Gentle and soothing.
I am standing in a room, though I can see neither walls nor windows. There is only the endless flow of material. The sensual caress of silk against my body as I move through the drapes that fill the space before me. Hundreds, maybe thousands. They are beautiful. They are perfect. And I am not afraid.
On the contrary, I am perfectly calm. And as I move forward, my bare feet padding softly on the cool floor, I realize that I am heading toward a light. It shines through the diaphanous panels that flutter as I pass, as if struck by an ocean breeze.
I know that I am traveling toward something—someone—and I can feel the wellspring of joy rising up inside me. He is there. Somewhere beyond this forest of sensuality. Somewhere in the light.
I quicken my step, my pulse increasing as I move faster and faster.
I am desperate to see him. To feel his fingertips upon my skin, as gentle as the brush of these curtains against my body. But though I hurry forward, I don’t seem to be getting anywhere, and now the soft flutter of the drapes has taken on a menacing quality. As if they are reaching out, clutching me, holding me back.
Panic bubbles inside me; I have to get to him. I have to see him, touch him, and yet no matter how hard I try, I do not seem to be moving forward at all. I’m stuck, and what had only a moment ago seemed like the welcoming beauty of a curtain into heaven now seems like a trap, a trick, a horrible nightmare.
My pulse quickens as the truth settles over me. I am not in a room; I am in a bed.
I’m not running; I’m sleeping.
This is a dream, a dream, and only a dream. But it is one from which I cannot seem to wake, even though I am moving faster now, clawing my way through these damnable drapes because I am certain now—with the kind of certainty that comes only in the world of dreams—that if I can just get through them then I will be free. I will be awake. And I will once again be safe in Damien’s arms.
But I cannot get through.
Though I push and shove and beat my way through the gauzy silk—though I run and run until I am certain that my lungs will burst with the exertion—I can get nowhere other than where I already am, and I collapse, defeated, onto the cool ground, my skirt billowing out around me like the petals of a flower.
I tentatively stroke the material. I had not realized when I was running that I was wearing a dress, but this is a dream and I know better than to think too deeply about the odd parameters of this version of reality. Instead, I focus on gathering myself. On staying calm. On breathing deep. I am no longer moving forward, and that is good, because now that I have come to a stop, the curtains are falling away, drifting gently to the ground only to disappear like cotton candy touching water until there is nothing left but me and this room with white walls that seem to press in around me, moving closer and closer with each breath that I take.
My chest is tight, and when I look down, I realize that my hand is fisted in the silk skirt. There are small yellow and gold flowers embroidered against the white silk at the hem, and the flowers are inset with shimmering white pearls that now feel hard beneath my palm. I glance down at the fitted bodice, the perfection of the silk, the gentle pressure of the stays.
I am in my wedding gown, and for a moment, that reality soothes me. Damien, I think again. He is not beside me, but I know that he is with me. This man—this incredible man who will soon be my husband.
Just the thought of him calms me, and I am able to breathe more easily. I can continue, I can move. I can stand and go forward and leave this room.
I can go into Damien’s arms.
I start to do exactly that, shifting my weight so that I can rise to my feet.
That’s when I see the stain.
A blur of pink rising up from the pure, white silk of the skirt. It is so faint that at first I think it must be a trick of the light. But then the hue deepens, shifting from pink to red as it spreads out, tainting the purity of my beautiful dress.
Frantic now, I scramble backward, as if I can somehow escape the stain despite the fact that I am wearing it. But of course there is no escape, and I claw at the skirt, trying to yank it up, trying to see beneath it. Trying desperately to find the source of the blood.
I can’t. My hands are too slippery. Red and wet and stained. I rub them on the skirt, trying to clean them. My breath is coming in gasps, my pulse pounding so loudly in my ears I can hear nothing but my own blood flowing through my veins. That same blood that is coating me, escaping me.
No, no, oh, God, no.
But it is true—I am certain of it. The blood on the skirt is mine, and with one final, desperate jerk, I draw the material up, tugging at the silk and satin and lace until it is gathered around my waist and I can see my legs, bare and slick with blood.
I hear a noise—a gasp. It came from me, and I’m rubbing at the blood, searching for the source. I’m on my knees, my thighs pressed together, but now I separate them, and I see the scars that have for so many years marred the soft flesh of my inner thighs. Self-inflicted wounds made by the pressure of a blade held tight in my hands.
I remember the sweet intensity of that first slice. The glorious heat when steel penetrates flesh. The relief that comes with the pain, like the screech of a boiling kettle when it finally releases steam.
I remember the pain, but I no longer need it. That is what I tell myself. I don’t need the wounds; I don’t want the pain.
I don’t need to cut anymore.
I’m better now. I have Damien to hold me tight. To keep me centered and safe and whole.
But there is no denying the blood. And as I look down at the open wound—at the raw and mangled flesh, and at the blood that pools around me, so sticky and pungent—I feel the tightness building in my chest and the rawness in my throat.
Then, finally, I hear myself scream.
You can get your own copy of TAKE ME inside the print edition of HEATED (just follow these links and snag the print edition)
Or grab the digital copy of TAKE ME from these retailers: