Vitamin K, Judy Blume, and the Great Big Bruise by Julie Kenner
“I wonder if Judy Blume really knows how many girls’ lives she affected. I wonder if she knows that at least one of her books made a grown woman finally feel like she’d been a normal girl all along…”
Whether laughing to tears reading Otherwise Known as Sheila the Great, or clamoring for more unmistakable “me too!” moments in Are You There God? It’s Me, Margaret, girls all over the world have been touched by Judy Blume’s poignant coming-of-age stories. Now, in this anthology of essays, twenty-four notable female authors write straight from the heart about the unforgettable novels that left an indelible mark on their childhoods and still influence them today. After growing up from Tales of a Fourth Grade Nothing into Smart Women, these writers pay tribute, through their reflections and most cherished memories, to one of the most beloved authors of all time.
Everything I Needed to Know About Being a Girl I Learned from Judy Blume - Buy Now
Everything I Needed to Know About Being a Girl I Learned from Judy Blume is part of the Anthology (Multi-Author) series.
About this StoryPublication Date 06/05/2007 Story Type Short Story Series Anthology (Multi-Author) Genre Essays
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From Publishers Weekly
This collection of 24 essays edited by O’Connell (Plan B) pays tribute to the influence of Judy Blume and her work about coming-of-age as a girl in America. In each piece, the writer reveals what O’Connell calls her “Judy Blume moment,” telling a heartfelt and revealing story that reflects the same social awkwardness and true-to-life experiences Blume conveys in her novels– from menstruation to childhood bullying to masturbation. In “Cry, Linda, Cry,” Meg Cabot recalls how Blume’s book Blubber taught her how to laugh at herself, while also giving her the courage to stand up to schoolgirl bullies. Likewise, Stephanie Lessing, in “The One That Got Away,” reflects on Blume’s It’s Not the End of the World, explaining the solace she found in its understanding of what it’s like when parents divorce. Readers who similarly found solace and support in Blume’s work should relate easily to these writers through the Blumian characters and themes they evoke. Writing in the spirit of Blume, these women present their experiences as a series of personal truths: “Girl moments. Woman moments, Human moments.” (June) — Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
“I remember how painful it was to be invisible to those other kids. And I think of Judy Blume, whose… name will always mean friendship to me,” writes Berta Platas. “She allowed me to save myself,” says Meg Cabot. In stories contributed by many well-known female writers, this anthology pays homage to the “guru” of adolescent experience. Many nostalgic selections speak about the crucial comfort that a Blume novel brought during an author’s teens, soothing worries about body image, parental divorce, friendship scuffles, sex, and masturbation. Also striking are the many essays about “Judy Blume moments” in adult life. For one author, re-reading Forever helped her re-enter the dating world as a single thirty-something. Another contributor remembers the teenage reassurance she’d found in Are You There God? It’s Me Margaret, when, after childbirth and breast-feeding, she once again suffered from “boob drama.” Funny, poignant, honest, and reverential, these stories will resonate strongly with the legions of readers who, like the authors, are grateful and lifelong Blume devotees. — Gillian Engberg
“From bittersweet to laugh-out-loud hilarious, the essays in this collection all sparkle with charm, style, and wit. No doubt about it, if you grew up reading Judy Blume, you will love this book.” — Sarah Mlynowski, author of Bras & Broomsticks and Girls’ Night In